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This hurts. Besides Douglas Adams, I can name no other author whose works have had as deep an impact on me, both as a reader and as a writer, then Elmore Lenoard. His style (and his incomparable Ten Rules Of Writing) is so immersive and accessible, it invites emulation. The apparently effortlessness of the simplicity of his dialogue makes every one else's sound stilted and hacky. If I ever successfully publish any prose, similarities to Leonard's formatting will no doubt abound (and never approach his level of quality). Perhaps the most enlightening thing Leonard ever taught me, something that no other teacher, professor or so called expert ever imparted, that dramatically changed the structure and tone of my own writing, was the simple instruction, "Never use a verb other than 'said' to carry dialogue." When I read that, it was a thunder bolt.
From 1953 til last year, Leonard published roughly a novel a year. That level of output, with very little fluctuation in quality, is staggering and numbing. His attention to detail, while apparently avoiding description, is masterful. His characters are more fully realised and more human then many people I know in real life. And that his novels all exist within one massive shared universe, existing within a Bermuda triangle of Detroit, Harlan County, and Miami, is a feat of organisation and talent that few can pull off within specific series, let alone across an entire career.
That his genius is gone is just wrong. Minds like his deserve to outlast the rest of us.
Dammit to hell...